An old tradition in Bagni di Lucca

Bagni di Lucca has a long history of making figurines from Plaster of Paris, or gesso, as it is called here. The tradition began in the 13th century when people from Bagni di Lucca started going to France to sell their silk and they became intrigued by the use of Plaster of Paris to make mortuary masks.

They experimented with it, as the soft alabaster, one of the main ingredients to make that type of plaster, was abundant in the area. They realised it would be possible to make inexpensive religious statues by making moulds and filling them with plaster…much cheaper than the usual carved marble or stone.

The figurines became very popular, as not everybody could afford a Della Robbia, or other original for their home or church. Presepi, or nativity scenes were big sellers and salesmen from the area would travel far and wide selling their wares.

I was very lucky to be able to see one of the last producers of figurines in Bagni di Lucca, and the only one who still makes his statues by hand. Meet Simone from Arte Barsanti.

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The business was started by Simone’s great-grandfather in 1900. At its peak there were 60 people employed. Now it is just Simone with some helpful advice from his uncle Carmelo.

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The little factory is a treasure trove of figurines, moulds and paraphernalia from years of work.

 

Simone took us through the process of making a figurine. First the mould is prepared.

 

The plaster powder is mixed with water until it is the consistency of yoghurt.

 

Then is poured into the prepared mould and shaken to get out as many air bubbles as possible.

 

The statue is then left to cure for about 20 minutes. If the figurines are under 30cm high they are solid plaster. If they are bigger than that they are hollow to save on plaster and to make them less heavy.

Once out of the mould, the figurines are finished by hand to remove any rough patches and fill any small imperfections.

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They are then fired in the wood fired oven room.

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The next step is to hand paint each figurine. The flesh coloured parts are spray painted first.

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The rest is painted with brushes of varying sizes.

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We were taken to the top floor where there is a little museum with some of the history of the business.

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There is a photo of a recent Pope receiving a Barsanti figurine.

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…and some old presepi, including one in a pumpkin.

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…some old accounting equipment.

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Best of all was an old suitcase which the travelling salesmen would take around the country to display their wares.

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There is a delightful story that when Christopher Columbus arrived in America the first person he saw was a fellow from Lucca with a suitcase full of presepi for him to choose from.

We were given a beautiful presepio to take with us…my first…thank you Simone and Carmelo for a wonderful visit.

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I really hope this wonderful tradition can be kept alive in Bagni di Lucca.

http://www.artebarsanti.it

info@artebarsanti.it

39 0583 87882

43 thoughts on “An old tradition in Bagni di Lucca

  1. Thanks for posting this Debra, I’m back in England now – but I’m coming back for a week on 24th July so I’ve made a note to see the exhibition 🙂 Hope you have a safe journey home

  2. Great post Debra. It is about time someone mentioned the traditional crafts in Bagni di Lucca before these skills disappear completely. This is the sort of thing that will interest visitors to the area and increase business. It would be great to see a permanent display of figurines in the town and a point of sale. The public are tired of cheap reproductions “made in China” which can be bought in any market stall in any city. Something hand-made locally by craftsmen creates jobs and means so much more to the buyer.
    I look forward to the exhibition and hope there will be many more.

    • I agree with you! Both of my grandfathers made and sold statues for a living here in the U.S. They along with many other family and friends, came here from the town of Crasciana, above Bagni Di Lucca. My father has always enjoyed making plaster statues as a hobby. I too think this art should continue and it would be great to see a shop that sold these figurines to tourists in Bagni Di Lucca.

  3. There has been plans for a Museum of the Figurines in Bagni di Lucca; however, the lack of funds has been a major obstacle. I hope that this will change in the future…

    • A museum would be good, but this craft is still alive! It won’t be for very much longer if these skills are not encouraged and supported.

      • I agree with you Maureen, there should be a more public acknowledgment of this industry. Perhaps the mayor could make available a space in Bagni di Lucca ( there are lots of empty spaces ) for a permanent display and a possibility to buy.

      • A pleasure, Debra. just an extra comment on this topic, which is very dear to my heart. A modern museum does not need to be a mere celebration of the past or a lost craft. Most museums have nowedays a shop or boutique where goods are on display and old, so this would help the artisans. And yes, there are plenty of suitable buildings that could be used; however, it is not as simple as that. A building needs to be adapted to its new use and fitted accordingly (lights, furnishings, etc). A museum needs insurance, security and staff. Extra expenditure at a time when Council is short of funds and there are plenty of other needs in the area that cannot be disregarded.
        The industry is suffering a lot, not only because of the current crisis, but also because of several other factors. Religious figurines, including nativity sets, are not as popular as they were in the past and they also face great competition from cheaper sources, which lack the quality of these pieces that, taking into account the enormous amount of work and skill required, are more than reasonable. We only have to look at the Arte Barsanti catalogue to realize that they are excellent value for money. When we think that the workshop used to employ 60 people and it is nowadays run by Simone on his own, it is easy to realize that conditions have changed dramatically. There used to be quite a few other crafts people working in small workshops only a few years ago; however, most of them have gone. And, more worrying… these skills used to be passed on amongst members of the family. Simone works on his own and has no apprentice. Let’s hope that a revival of traditional crafts will take place and all this artistic treasure is not lost.

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  7. Dear Debra, My father born in Riolo came to America when he was 14 years. He worked for
    people from the same town who made the figurines. He then traveled around upper New York state selling the statues My father later founded founded his own business in Washington D.C.
    which my brother and I still operate. However we are now in the business of ornamental plaster
    such as fireplace mantels and crown moldings etc. We still use many of the same skills you so beautifully photographed and explained. Best wishes for the New Year.

    • Thank you for telling me about your connections to Bagni di Lucca. It seems its citizens went far and wide across the world, taking their skills with them. I am very pleased to hear that you have a successful business using those skills. Have you ever been to Bagni di Lucca?

      • Ciao Debra, Yes I have been to Bagni Di Lucca and to Riolo several times. I really like the photos of the villages. There is a great view of the several villages
        from the road up to Benabbio . There is an organization called “Lucchesi nel
        Mondo” located in Lucca at Mura Urbane 6. I am sure if you see Ilaria Del Bianco She will make you an hororary member as you have done so much
        to showcase Bagni di Lucca for the rest of the world. Salve, Bob G

      • I hope we run into each other in Bagni di Lucca one day. I will definitely look for Ilaria when I go back to Italy next month. I have heard of Lucca nel Mondo. I know that road to Benabbio and, yes, there are some great views from there. I should stop and get some photos. Sent from my iPad

        >

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  9. Hi Debra. I’m a bit late replying through illness, but I have what I guess you could call a figurine, quite large, (I’ve always called it a statue) which was in my parents’ house for as long as I can remember – a wedding present perhaps. It is of a teenage boy with a little girl on his back. Recent research informed me that it was made by Camillo Triaca from a factory in Melbourne. He came to AUS from Lucignana, Tuscany, (what a gorgeous village) went back to Italy during the war, returned with a wife and owned “The Latin” a renowned restaurant in Melbourne. His son took it over but unfortunately it is no longer there. I cherish the statue and am very happy that a niece would like it when I fall off the perch!

    • How lovely! Thank you for telling me. There is a Lucignana very close to Bagni di Lucca. I have passed the signpost to the village often. I guess it is the same one. I will go there when I return and take some photos. It is amazing how many people have a connection with these tiny villages.
      I hope you are feeling better now.

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  11. I am lucky enough to have a few figurines from a nativity scene. They were given to me when we lived in Bagni di Lucca in the early 50s before we came to Australia. Dina

  12. Not sure how I missed this wonderful post when it first came around. This is a topic near and dear to my heart. So many businesses here in the US originated from the figurine industry in Bagni di Lucca. My family’s business was among them. Several generations later, we still owe a great debt to the hard workers who came to the US and worked in this industry. My father, a native of Pieve di Monti di Villa, came to Philadelphia after the war, worked for Bagni di Lucchesi who had arrived years before and had started their own statuary business. Through very hard work and much sacrifice, my father was able to build his own business and employ many other Bagni di Lucchesi. From carnival type figurines the business evolved to the manufacture of beautiful table lamps and other lighting that were sold nationwide.

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  16. Debra,
    Wow I just read your article and it really hit’s home. I guess I’m a child of Bagni Di Lucca craftsmen. Both Grandfathers were figurine makers from the area and carried their craft to the US. My parents met in BDL at Bar Italia (circa 1954), mom working behind the bar and dad there on vacation with Nonna and Nonno. My dad’s family are from Beautiful Riolo, while mom’s family lived on the road up to Riolo.
    I’ve tried to introduce my kids to the art of making statues, but, they’ll have none of it. I guess it’s just another art that will die when this generation.
    Hopefully my wife and I will be in Tuscany soon, we plan on spending a month there after I retire in a couple years.
    ciao
    Chris

    • You must be related to Mike Prosperi. He visits Riolo regularly. It is quite amazing the number of people who are descended from Bagni di Lucca artisans. I would love to see a permanent museum set up in the town to honour this tradition. Perhaps the descendants need to get together to organise it.
      I did a post on Riolo recently.

      • Mike is my cousin, but, he’s like a brother to me. He lived next door growing up and we talk on a regular basis, I actually have a few pictures of his home in RIolo on my website. (Prosperi-rentals.com).

  17. I did hear Debra that the Figurine trade is much older in this region than that and that there was evidence of Artisans back in Roman times making figurines of ‘Gods’ to act as sacrificial tokens or to embellish Shrines, especially in the areas around Vico Pancelorum and Palleggio.

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